Visualizzazione post con etichetta Interviews. Mostra tutti i post
Visualizzazione post con etichetta Interviews. Mostra tutti i post

lunedì 17 settembre 2018

Korpiklaani Interview


Interview by Margherita (MEG)
Answered by Tuomas Rounakari
Photo credits Peero Lakanen

LFdM: Hi guys, I'm really pleased to welcome you to Les Fleurs Du Mal Webzine.
Let's start with a short introduction of each one of you, if you don't mind replying to a few funny questions, just to break the ice: Who is the tallest? Who is the heaviest drinker? Who tells the funniest jokes on tour? Who is the best prankster? Who is the most technically skilled? Who is the most talented? Who is already sick of answering these questions?
Either Tuomas or Kalle, hard to say because they can't stand straight in a tour-bus. 2) can't remember right now for some reason 3) we have a horrible sense of humour, the question should be about worse jokes, and that title goes to Jarkko. 4) no comments 5) 6)and 7) too stick of this to go on. 

LFdM. Jokes apart, Korpiklaani is such an evocative name. How much does it describe your band and its sound? Why this choice after your original name Shaman?
Well none of us is really an urban kid, we all come from more or less isolated parts of the country. Korpi, uninhabited forest, has a deep meaning to all of us and Finnish myths and folklore is a huge part of our music. Shaman name was already used by some brazilian band and the old record label suggested to use a Finnish name instead, which then Jonne came up with.

LFdM: How would you describe your upcoming album, Kulkija? It sounds amazing, by the way, I had the chance to give it a pre listening and I have to say I like it a lot. Can we consider it as a sort of concept album?
Well a sort of, but not really. Wanderer kind of ties everything together. The album presents many different moods and aspects of life, a world as a wanderer might experience it. And of course this is something that the whole band can relate to as we spend most of the time on the road. 

LFdM: Personally I love the topic of the Wanderer, I find it such a fascinating and charismatic figure, in literature, for example... I think to gothic novels, to folklore and legends. Cain, according to some tales inspired by the Bible, is the first wanderer, after killing his brother he was condemned to wander on the moon for the eternity; the ancient mariner by Coleridge is another example of accursed wanderer...what kind of wanderer can we find in Kulkija?
For me this wanderer is a combination of a tramp and a survivalist. A person who travels on his own terms and from his own will. Enjoys the movement more than the destination. 

LFdM: Why didn't you chose to write this album in English? Don't you think it could attract more people, that it could be more catchy for the international audience?
We think in the opposite way. Your native tongue is your natural way of expression and thus the emotions are authentically expressed. Bands often lose their authenticity while trying to please crowd and people can feel it. 

LFdM: Which are the main differences or similarities between this new album and your previous works?
We had a new producer, Janne Saksa and with him this album has a more natural feel to it. There are lots of first takes for example and the general feel is very uplifting. It really is a feel good album all the way, although some songs are dark and melancholic. 

LFdM: Is there a song, or more than one, of the new album you feel for some reasons closer to? If so, would you like to tell us why? Personally I love Harmaja and I have to say that, even if I know really very few words in Finnish I've been able to get the mood and the main theme, before I could read about the content in the translation. This might mean that language is not so important to convey the message, in the end?
Exactly. Rich and authentic expression translates better than words. And even if your finnish would be fluent, you could interpret Harmaja in many different ways. That's the magic of music. Personally I enjoy Aallon alla a lot. Riemu makes me laugh always with the unexpected contrast between the verse and chorus. Harmaja came out really well too. Kotikonnut and Henkselipoika are a lot of fun to play just as is the 9min long Kallon Malja which is maybe the most progressive metal song we have ever released. 

LFdM: I watched the Harmaja's video too and l like it a lot. It's very simple, no special effects but I really love its atmosphere. Can you tell us something about it? Where was it shot?
The water was really cold and the filming was quite an achievement from Jonne. I guess his lips are naturally blue on this one. It was shot in a sea-safety center where they practice rescue techniques. 

LFdM: Which songs of the new album do you think would work better live? What is your ideal setlist?
We would love to play the whole album live, but as it is a long one with 14 songs we probably can't do it. But there really is no ideal setlist. We tend to emphasize the latest album always, simply because it makes things fresh for us just as well. But a medley from the past is equally important. So far we have played Henkselipoika, Kotikonnut, Aallon alla, Harmaja and the instrumental Pellervoinen live. That is quite unusual amount of new songs before the actual album release. 

LFdM: How does the songwriting process work in your band? Do you compose the music or do you write the lyrics first?
Tuomas Keskimäki has been our main lyricist since Manala Album. Jonne and Tuomas work closely together and quite intuitively. Sometimes music comes first, sometimes the text. Everything is pretty random in our ways of working. 

LFdM: Does each one of you record each single instrumental part one by one or do you record your parts all together at the same time in the studio?
A studio album is nowadays always recorded separately. But we do some arranging together first, tossing around demos.

LFdM: Where do you find inspiration for the lyrics of your songs? Being Finnish, for the kind of  genre you play is an advantage?
Finland has the largest collection of folk poetry in the whole world and in Finland all folk poetry was originally sung. So it is a musical tradition, not a literal. The special rune-signing meter is very unique and we have made new lyrics using that same meter. 

LFdM: What are your main sources of inspiration, musically speaking? Who were your music heroes when you were kids?
All of us listen to a different variety of music. Motörhead and Black Sabbath has been important to most of us, Matson is a big Kiss fan who recently lived his dream signing Rock and Roll All nite together with Gene Simmons at Masters of Rock, and then there are a lot of lesser known folk bands from Finland and Sweden, like Gjallarhorn, Headningarna, Mari Boine, Kiharakolmio by Antti Paalanen and many more. 

LFdM: Is there a band or a musician you would love to work with, both live or in the studio?
The corpse of Lemmy might be interesting to have on a studio... We will actually release different versions of Beer Beer in different languages with guest vocalists. That list of guests gives a nice answer. 

LFdM: Is there a band you've been often compared to, but you'd prefer not to?
Alestorm. Nothing really wrong with Alestorm especially as they have officially admitted stealing their ideas from us. 

LFdM: How do you spend your spare time when you are not recording or touring?
Most of us prefer to go out to the nature, unplug from all. Jarkko and Matson prefer to stay close to their extensive vinyl collections. 

LFdM: Are you planning an extensive world tour?
Yes!.We are doing a Russian and a North-American tour this year and a longer European tour on Feb. South-America, Japan, China and Australia are on the menu too, but when is a question of timing.

LFdM: Do you think you'll manage to get a date in Italy?
Date to play or a date with an italian? First one is a yes and the latter sounds like trouble.  European tour will be announced in August. Stayed to tuned.

LFdM. What is your opinion about social networks? Do you find them useful for your career?
It's complicated, but sure they can be and have been useful. We are a bit lazy in social media though, but we do our best. But it is a handy way to share info directly to your fans.

LFdM: What do you think of talent shows?
It is what it is. The entertainment industry seems to be splitting with Big Media vs indie world. I suppose we don't have much to offer for any talent shows. Sami knows how to peel a boilled egg by blowing into it. Maybe that could be something. 

LFdM: What kind of advice would you give to young musicians trying to reach a record deal?
You got to love what you do and simply focus on the Joy of doing what you love. That is the only reward that is up to you and granted. If you are in this for game and money, there are many much more intelligent and easier ways of achieving it than music. So if you're not in it for the love of music itself, better go home and think again. 

lunedì 23 luglio 2018

KONTINUUM – Interview for Les Fleurs Du Mal


KONTINUUM have the rare ability to create dark music that at the same time comes with an embracing warmth and emotional appeal. The Icelanders’ third album, 'No Need to Reason' continues the thread spun on previous full-length 'Kyrr', but expands the possibilities and range of the band's musical horizon.

Today, Birgir Thorgeirsson (vocals, guitars and keyboard) give us this interesting interview

Interview by Michela (Anesthesia) 
Photo cr. Saga Sig

LFdM: Hi guys, thank you so much for your time.
You are back with the new album.  'No Need to Reason' continues the thread spun on previous full-length 'Kyrr', could you tell us about it?
Birgir: It does not continue and threads from Kyrr. We continued to evolve and this album is the effort of the past 2 years. We wanted to things more our own way this time around. We worked witha producer last time around, learned alot from that but wanted to do things a bit different now. For Kyrr we where not as sure about our sound. This album really is our first real band album and we wanted that to be a priority on this album. Try to capture our live performance.

LFdM: Your sound melt into a melancholic landscapes like Iceland. What kind of role does your country play for you and for your art?
Birgir: Same as for any other person I think no matter which country your from. Your surroundings always affects you, most often subcounciously. What matter more is your mental state, relationships and life events.

LFdM: One of the things that sets Kontinuum apart from a lot of the metal scene is the evolution of your sound without never lost your identity. It's something that happens naturally?
Birgir: Yes, this naturally just happened. We have been searching for our own voice and sound. This is what happens. We consider ourselfs very free in what we do, we have no pressure to repeat ourselfs or do something rather than other.  We have an artistic integrity and belive in what comes to us is the right thing to do however it sounds or what genre it may be categorized as. Really we dont even think our our selfs as a metal band. Just happens we have that background.

LFdM: What is the songwriting process like within the band? Is there a main songwriter or do you all contribute equally?
Birgir: It it one of the things we try to vary. Initially it came more from a single source. Today we try to get the best from everyone. We have our own collaborative voice, which no single individual could come up with. This is what defines bands, after time and effort a voice is born wich is greater than the sum of its parts. It may start with an intial rough demo from one but for this one there was alot of collaboration. We then do a pre-production of everything we do, produce and work on tracks on our own prior to going to the studio.

LFdM: KONTINUUM were conceived with the declared aim to create hypnotic and spiritual musical noise in Reykjavik, Iceland in the year 2010.  Can you sum up what this journey till today?
Birgir: Its been an evolution in paralell to our lifes.

LFdM: The new album works out to ten songs, for a running time around fifty minutes. So longer compositions work better way for you?
Birgir: Is it long. For us its short. I guess its our character. We tend to naturally write longer songs. We actually try not to keep things dragging on. We usually shorten songs during pre-production.

LFdM: 'No Need to Reason' is bound to turn KONTINUUM into a household name for friends of dark ambient?
Birgir: Great. We welcome all those who connect.


venerdì 22 giugno 2018

ÁRSTÍÐIR - Interview and brand new video!

Photo cr. @Juliette-Rowland

Today marks the release date for ÁRSTÍÐIR's brand new album 'Nivalis', and the enigmatic Icelanders are celebrating this with the release of a spectacular new video for the track 'While this Way'. 



Band gave us also this beautiful interview... Enjoy!

Interview by Michela (Anesthesia)
Photo cr. @Juliette-Rowland

LFdM: Hi guys, thank you so much for this great opportunity.
Let’s start out by introducing your band to those readers who have never heard of you before. What is the story of ÁRSTÍÐIR?
We're celibrating our tenth anniversary this summer. Our band was formed in 2008 and we performed our first show the same month as the banks crashed over here. Two years later we we're embarking on our first international tour, and we nearly did not make it because of the Eyjafjallajökull eruption. But part from financial calamities and natural disasters, our career has been a fatastic journey that has taken us all over Europe, North America and to the depths of Siberia, and now we're about to release our 5th studio album Nivalis on June 22nd.

LFdM: I read this quote about you: “mixing many influences taken from different styles into something quite unique, which might tentatively be dubbed Icelandic independent”. Is this how you would try to describe your sound?
We just write the music and then we leave it to others to put a label on it. Through the years we've been called all sorts of things: folk, indie, pop, world, minimalist, progressive, rock, chamber pop and sometimes just “Icelandic Independent” like you said. I actually think that comes closest to describing us.
The fact that our music mixes a lot of influences, and the fact that it is hard to put a label on it, is also the same thing that makes our fans drawn to our music.

LFdM: I think your music is very related to the creation of situations of extreme contrast: you suddenly change from a quiet part into a blasting black-like sequence and back into a softer part. What should we expect in terms of sound or feelings from the new album ?
It's true, we play a lot with dynamics. When we make albums it's a roller-coster ride of emotions for us, and the music is a reflection of that. Some songs can be very tender and and minimalistic, and others can be dramatic with epic finales. This constant turn of emotions comes natural to us when we're writing, and it keeps it interesting for us when we play. So expect a roller-coster ride when you listen to Nivalis.

LFdM: The artwork of the new album is really simple. What’s the meaning behind that? And how does it connect to the album?
Nivalis is a latin word that means “Like Snow”, and is often used in latin names of anmimals and plants that live in arctic environments, and thrive in cold and hard conditions.
Living in Iceland people tend to be very affected by the nature and weather conditions, and how these change with the seasons. Our name, Árstíðir, means “seasons” in Ielandic and in our mind birds represent the changing of the seasons. Some migrate and come back, others stay and change the colour of their feathers. Many of our albums have had pictures of birds or feathers in some way.

LFdM: Do you read reviews about your works? Does it have any further influence on your creative process?
Yes, of course we read them, but we try not to get influenced too much by them. We just try and stay true to our musical expression and play music that we believe in. When we play concerts and see the reactions of the people listening then THAT is what truly matters.

LFdM: What are your next tour plans?
This September will mark the beginning of an intense touring period. The final dates are being settled, and so we'll announce very soon. We hope to see you on the road!

LFdM: That would be great guys! Thank you so much for your time and let's hope to meet you live!





giovedì 7 giugno 2018

Flat Earth Interview

Ph: Riku Pihlanto
Interview by Michela (Anesthesia)

Niclas Etelävuori (ex-AMORPHIS) Linde Lindström (exHIM) Gas Lipstick (exHIM) and Anttoni "Anthony" Pikkarainen (POLANSKI) join in a new adventure called 
FLAT EARTH.
FLAT EARTH is recording its debut album at Finnvox in Helsinki with producer Hiili Hiilesmaa. 
Their kindness bass player Niclas gave us this beautiful and interesting interview.


LFdM: Would you mind telling us a few words concerning the history of Flat Earth for the music fans that don't know of you yet? When did you form your band?
Niclas: I started to go through song ideas that I had been working on over the years after I quit Amorphis in April 2017. I had thought about Linde for guitar from the start, but we had not talked about it, until our common friend suggested that I should have sent him a message. So I did. After about a month Linde came by and he was right into it. We though that it might take us a long time to find a singer, then our same friend suggested Anthony. We didn't know him before, but after one session it was clear that he was our man. Since everything pretty much came together here in Helsinki, we thought that also our drummer should have been from Helsinki. Both me and Linde played with Gas before in different bands, so he was the first one that came to mind. He was a bit busy at the time but he agreed to help us finish our demo. I told him if he wanted to stay he was welcome, and after a few months he said he would stay.

LFdM: What does the name of the band mean to you? I think Flat Earth harmonizes beautifully with your sound
Niclas: Most people see Flat Earth as a geometrical statement, I see it as a sonic statement among other things. Flat Earth can mean a lot of things and our music can also represent a lot of things. We don't want to be trapped in the obvious, and from the start we have been more focused on writing good songs than writing songs to fit some certain genre. It's like a fruit salad: everything is good but the taste is different.

LFdM: Listening to your first video, "Blame", the production once again is very good and helps the surrounding atmosphere you have as a band float in a more vivid and drowning way. How much time did you spend in the studio? Is the album ready? And where your inspirations and the topics to the songs are coming from? Every song is a different story or is there some common thread linking all the songs together?
Niclas: It's been about a year since I started the band. Last autumn we wrote and demoed everything. At the end of January we started to rehearse and went into Finnvox Studios at the end of February for 7 days. After that we continued in our producer's (Hiili Hiilesmaa) own studio for 7 days of recording and on and off mixing days. We have mastering coming up this week so, after that, all the audio is done. Anthony wrote all the lyrics and they are all separate stories from life as he sees it. Some topics come from our conversations and others he took from maybe just a name that was already there. Some times we talked about something in the evening and the next day he had lyrics about it.

LFdM: Each of you come from great bands - What is your opinion about the modern Finnish metal scene?
Niclas: It still going strong, even though it's not as big as it was 10-15 years ago. Things go in circles, so some day it's coming back. It is nice to see that some kids still pick up an instrument instead of a computer.

LFdM: By the way, how has your sound changed in this new step compared to the past? Many newspapers and journalists want to invent their own names to the music genres. What do you think about it?
Niclas: One of the things we talked about with Hiili when we started was that we have been in it for so long and developed our own sounds as musicians that we shouldn't change that. So this is a mix of all that. I see us more like a rock band but as I been playing metal for most of my life, there's some of those elements there too. I'm actually curious to see what kind of genres we get boxed in.

LFdM:What expectations do you have about this album?
Niclas: I hope it gives us the opporunity to continue to do what we love doing. We haven't signed to any label yet, so we still have to wait and see.

LFdM: Plans for some summer festivals around Europe?
Niclas: Not this year. The album will come out after the summer, but we hope we can do a lot of shows in Europe and elsewhere after that, and hopefully some festival too next year.

Line Up:
Mikko "Linde" Lindström (HIM) - Guitar 
Mika "Gas Lipstick" Karppinen (HIM) - Drums 
‪Niclas Etelävuori (AMORPHIS) - Bass 
‪Anttoni "Anthony" Pikkarainen (POLANSKI) - Vocals

Ph: Riku Pihlanto

mercoledì 18 aprile 2018

AURI - Interview with Johanna Kurkela


Interview by Michela (Anesthesia)
Editing by Margherita (MEG)
photo Credits by Tim Martindale

LFdM: AURI! It's a pretty unusual name for a band. Did you take it from the book “The Name Of The Wind” written by Patrick Rothfuss? How did you come up with it?
Johanna Kurkela: Hi Michela! And thank you for your questions! The name of the band wasn't decided until last year, when we started delving deeper into the album making and realised we needed a name for our band. We tossed around with ideas, and finally thought of Auri, which felt like the perfect name. Deriving from the word "aura", meaning, golden, emanation, atmosphere, a soft breeze. It is used in Finland as a girl's name. And, it also happens to be the name of a character in Patrick Rothfuss' books which we love, a character who lives in her own world, almost in another dimension compared to the rest of the world, for the way she perceives life and keeps to herself, only to come out at moonlight to sit on the rooftops of the world. She is a deep deep mystery, and an achingly beautiful and infinitely intriguing one at that. Just like the magic of music.

LFdM:When did you start to think to form this band?
JK: In essence, the band Auri was born out of the sheer desire to hear music still missing from the world. We've all been close friends for years now, and fans of each other's music from the very first note we heard, collaborating on each others musical projects on many occasions in the past. In that sense, the spirit of collaboration has been ever present. Throughout the years it just developed into this shared dream of a unique, fearless, infinite open world of music, which we three might be able to bring to life together. I guess one could say, this band is, in effect, our friendship translated into music. An audible assortment of things we feel strongly about.

LFdM: Everyone knows who Tuomas Holopainen is in symphonic and metal scene, so I don't want to talk about him. I would like to know instead: if you should introduce and explain the new record to a totally profane kind of audience, having the opportunity to choose only one song to do it, which track would you pick up?
JK: To me this album is such an entity that whenever I listen to it, I always do it from start to finish, as one would watch a film or read a book. For anyone yet to enter the world of Auri, rather than to visit just one continent, I'd definitely recommend to go for the whole nine yards. Otherwise, any song, I'm sure, would serve nicely to yield a little glimpse.
Even to this day, it's hard for me to categorize the music of Auri. We didn't really have any particular genres or languages in mind making the music, quite the opposite. Overall, I think we were all just instinctively following the paths of music that felt right to us, not really caring if it was orthodox or not to combine things the way we did. It felt very liberating, working in this mind set, not having any pressure or expectations to confine us, not caring at all what other people might think or how they might feel about the final result. We didn't have a concept, no main songwriter, no producer. The only thing we strived to do was to make music which made us three go completely ecstatic over, and have massive fun at it. And that's exactly what we did.

LFdM: How important are the lyrics in your kind of music, made for the live dimension?
JK: In Auri, one can most certainly hear many influences, but rather than try to pinpoint them all, we'd prefer the listener to just shut the mind, and let one's heart listen instead. For me, the magic of music has never been something that can be generalized or captured with only words. It's always a very personal journey, a coloring book, the outlines of a scenery to be filled with each listener's own emotions. There is no right or wrong in interpreting a song, if it jerks out something profound, beautiful and renewing inside the listener. For me the oceans of music are all connected. If it were up to me, I'd rather not categorize Auri at all, or any other music for that matter, but if need be, "Celestial Metal" as Troy playfully put it, or “World Music”, would do nicely.

LFdM: Is there any particular message that you’re trying to delivery with your songs?
JK: Skillful use of words, clever poetry and insightful lyrics are things I'm sure we all find joy and comfort in. However, words alone are often prone to unfortunate misunderstandings and misinterpretations. This is probably one of the reasons I enjoy wordless music so much, such as film score soundtracks for instance, where instead of using our minds to follow the words, one can be whisked off on a more subconscious journey, to let one's own story and emotional scenery unravel onto the waves of sounds. Still, words can be powerful tools in conveying things more specific. For me, whenever there are lyrics in music, it's paramount that both elements support and complement one another in service of the song. This is often times a very delicate art, but always an infinitely rewarding one after you happen to stumble upon the perfect balance.

LFdM: Where does the inspiration to write such emotional music come from? You’re really unique, compared to other metal acts in the world, what's the moving force here?
JK: In Auri, I feel like I've finally found my home as an artist, a perfect outlet for my creativity, being able to record and edit my own vocals independently, feeling completely at home in the music, finding such likeminded people to work with, and an environment without pressure or judgement, that you don't have to hold anything back or make compromises, which usually, naturally occurs when working alongside other people with different opinions and goals. Being able to work seamlessly together, while being completely open and channeling your deepest emotions through music, has been one the most life changing things for me to discover in Auri. A sort of altruistic connectedness, which hopefully is something others listening to this music can also tap into.

LFdM: Do you think you will continue with this project in the future?
JK: When we headed out on this marvellous adventure of Auri, we didn't really have any expectations or plans for the future, other than just to release an album and see what happens. But pretty quickly, as things started to evolve, and due to the immense fun we had while making this album, it soon became obvious, that instead of being just a one album project, Auri was becoming a real band. In the future, we're definitely hoping to carry on making more albums for Auri and even head out on a tour at some point. But for now, on the immediate horizon, there are other more pressing matters keeping us all busy for the next approaching years. Still, luckily for us, we're not in a hurry, time is just an illusion, and already, ideas for the next Auri album are starting to gently take form in our heads.

Kind regards,
Johanna



mercoledì 7 marzo 2018

INTERVIEW WITH GARY BARDEN (MICHAEL SCHENKER GROUP)




Michael Schenker is one of the most significant rock guitarists in the history of music and SCORPIONS too.

Interview by Margherita Realmonte (MEG)

LFdM: Hi Gary, I'm really honoured and pleaesed to welcome you to Les Fleurs Du Mal Webzine and I can't wait to ask you some questions about your new work with Michael Schenker Group, titled Resurrection, to be released in few weeks from now:
How excited are you for the release of this new work? How long did it take to realize it
Gary Barden: Well hi, Margarita, one of my favorite cocktails by name, and you've given me a great cocktail of questions....

Well, the band members are pretty, 'Blown out the water', at this moment, Nuclear Blast is doing such a great job on the promo's for Michael on this album..... We started the balling rolling, just before and after 'Bang Your Head' Festival in July, Germany.

LFdM: Resurrection is such an evocative title, can you reveal us who chose it and why?
Michael chose it, we had so many biblical references in some songs and the photo shoot ie: 'Heart and Soul', 'Take me to the Church', 'The Last Supper', the table etc, not quite Da Vinci's pic, but bloody close......
'Resurrection' Instrumental with Kirk Hammett and Michael also happened to close the chapter on this album

LFdM: How would you describe this upcoming album, especially in comparison with the sound of the previous ones? I mean which are the main differences or similarities between Resurrection and your previous works in MSG?
I've worked with Michael Voss on all my solo albums, he was the 'consummate' Producer, songwriter, all the 'bits & bobs' etc, and a bloody good guitarist and singer 'to boot'....... and any man that can track me down to Hawaii in 2000 asking me if i'd be up for doing the 1st 'Silver' album, gets my lifetime blessing? I'm so pleased he got a 'rapport' with the 'Schenk'.

With the singers, on the songs, you get what could have 'been' if we'd had all stayed 'on ship' for the duration of the time with Michael in the past

LFdM: Would you mind giving us a short description of the album, a sort of brief track by track introduction to it
What the one's I wrote.......Ha! Sorry, see below.....

LFdM: Is there a song, or more than one, of the new album you feel for some reasons closer to? If so, would you like to tell us why?
Ok, I'll give you my favorites - 'Heart and Soul' with Robin, because no one in band would touch that 'toughie' of a track, luv ya mate, great job...... - 'Take me to the Church' with Doggie, even I looked sideways at him strangely (and Michael) before he recorded it, bloody great title now, lyric, melodies, performance, hats off, (mind you Doogie, have I got the 'Mayflower' right in 'Anchors Away?....... 'Night Moves' with Graham, the ease you go through is, still magical, even now to your biggest fan....... And now me..... 'Messin' Around' with myself, (excuse my French), Love the AD/DC beat, the picking chorus on guitar, classy, I love Rock 'n' Roll, this is it, simple.

LFdM: Which songs of the new album do you think would work better live? What is your ideal setlist?
The 'Maestro' Michael picks all the songs that are relevant to 'himself', we all drop hints, but, this is his Fest!!

My 'Fest' List would last 'until kingdom comes'........ we ain't getting any younger, though...... Poor Teddy Bear.

LFdM: How does the songwriting process work in Michael Schenker Group?
Michael has his 'Box of Tricks' and on this album worked with Vossey on a couple of songs, then sent the rest to the band to 'pick and choose' which ones they wanted to work on......
8.You have such a great music career, both as solo and with many bands. What are your main sources of inspiration, musically speaking? Who were your music heroes when you were a kid?

My Gods at the time, and a lot of people might find this strange, they were (Deep Purple, Led Zepplin, Rainbow, Yes, Marc Bolan/T.Rex, David Bowie, The Sweet, I tried 'Reggae', Ska, Hippy shit, Hawkwind, (I got a silver.....), ZZ Top, (La Grange) UFO, (want to do 'Mother Mary' sometime) Frank Sinatra, any MGM Musical, Broadway stuff, 'Phantom', etc.

LFdM: You have a long experience both in the recording studios and on the road, are there some funny or particular stories you would like to share with us?
Too many 'Spinal Taps' moments to recollect, but for me personally. We were doing a festival in Germany, 'Doro Pesch' was also on the bill, and they had a 'Taxi system' going from the airport to the gig and back.

Now, the gig was 1hr drive there and 1hr back. I had arrived at the Airport waiting for my 'Taxi' to take me to the gig with carlo's one of our roadies, we were informed all the 'Taxis' were gone, and wouldn't be back for some time, Doro, bless her, had so much stuff for her band and for the gig that the whole system was held up.

So, we're looking at the countdown on the clock, sweating a bit, we're on in 1hr playing to Germany at this gig, we get in the van pronto when it turns up, tick, tock, and with traffic, and getting through security and I decide to change into my stage clothes in the van, just as we pull up beside the stage, Michael and the band have just finished 'Into the Arena' and I fly up the ramp to the stage just in time to announce the next number, 'Cry for the Nations' with some out of breath vocals, and the bands faces, were truly incredible to behold...... Not quite like Derek Smalls in 'Spinal', as the cocoon opens at the end of the song.......But bloody close!

LFdM: Considering your long career, are there still bands or musicians you would love to work with, both live or in the studio? If so, with whom and why?
I've only played live or in studios with people I know and trust, to bring an unknown person or peoples would very be very strange for me. I'd love to a twin harmony song with a female singer, I admire their range so much (jealous, in fact) theres a cracking new singer out there now called Lynne Jackaman' she sang with a band called 'Saint Jude' get the 1st album, its great, and then she went solo, (too much talent I suppose), a cross between Janis Joplin and Maggie Ball, a couple of my favorite female singers, still.

LFdM: Do you feel better following your solo career or working with other bands? How would you describe your experience in MSG?
I was so lucky Michael 'found' me, in 79', I'd payed my dues as a kid going into Rock Music and 'himself' then giving me the chance to get into a 'real' international rock band situation, even now I cannot thank him enough, for what he did.

LFdM: How do you spend your spare time when you are not recording or touring?
I live in Thailand with my Wife Suchi, my Daughter Chimara (nearly 18yrs old) 2 dogs & 3 Cats, Getting through life in the jungle, on the river and enjoying it........ nearly lost my wife last year in hospital, she's ok at the moment, and my daughter has been accepted into the top university in Bangkok, so a lucky husband and very proud Dad......
Oh yea, I clean the pool everyday.

LFdM: What is your opinion about social networks? Do you find them somewhat useful for your career, or more in general for the path of an artist?
I use Facebook, I have a Gary John Barden page on that, I peruse the internet for any information I require, its great for that, not for the shit, thats far too easy to acquire.?

LFdM: What do you think of talent shows? Would you ever take part in a team of judges like in X Factor or The Voice?
I would be perfect, 'Judge Dread 'the wife calls me, I'd hold up the points on cards, not bullshit for 5 minutes ,cos I'm on TV and milk it. And if I heard just one more whinny “I really need to win this, I worked so hard” then its a instant disqualification....... They've never gone up the M1/M25 in a broken down Transit Van in their lives.

LFdM: What kind of advice would you give to young musicians trying to reach a record deal?
If its in your blood and you truly believe in what your doing and want to do it for the rest of your life, you are so lucky now, the information you need about publishing, managers, record companys (not many left) music laywers, distribution, venues, contacts etc are all there on the internet with legal documents as well, you are so, so lucky, because us 'seasoned' veterans had to go through the hard way...... Good luck!

LFdM: And finally, do you plan an extensive world tour with MSG? Do you think you'll manage to get a date in Italy?
Are you kidding, with 'Resurrection' out in March, the balls rolling. If band members are not too busy with their stuff this year, then we will be hitting every corner of this planet, so France and Italy, have great possiblities.

Cheers Margarita, hope there's some stuff for you in there.
And as the 'The Schenk' always says, “keep on Rocking'.

LFdM: Thanks a lot Gary for your time and kindness, it's been a pleasure for me! I hope to see you performing live here very soon!


venerdì 8 dicembre 2017

Mechanical Animals: Interview with Priest


"Priest drops their full-length debut `New Flesh´on November 17. Like a Delorean DMC-12 it will take you back to the colorful future of the 80´s." (Lövely Records)

Interview by Michela (Anesthesia)

LFdM: It shouldn't be easy to write music and lyrics according to your traditional synth pop roots and the urgency of your modern influences (industrial rock, EBM, science fiction soundtracks). What's your chemistry in rehearsing, composing, arranging and – if applicable – playing live?
Priest: The writing process looks a little different for each song, sometimes an idea emerges first, then lyrics before you add the musical composition. More often the music comes first and then we try to define what it´s about. The most important thing is that everything fits naturally together.
We´re in rehearsals right now and it´s a lot of programming involved. We used a large amount of big ol´synthesizers on the record and we obviously can´t bring everything on the road, so we have to make the rig a lot simpler than we want and still keep good quality sounds. It´s a challenge.

LFdM: Since Italy has always been a “virgin country” for Priest, would you describe your sound to someone who never heard you before? Which are your major influences? Did you experience any funny episode during the recording of New Flesh?
Priest: We like to think we approach synthpop and electronic music from a different angle, since all members been active in a large variety of bands from different genres. But we listen to new underground techno a lot. Depeche Mode, Skinny Puppy and Orbital are big influences, but we like a large variety of stuff – even Italian prog! We love bands like Le Orme, Alphataurus, Museo Rosenbach and so on..  On “The Cross” the writer was inspired by Goblin, especially their soundtrack for Suspiria, when writing the main theme for the song.
Since we have a strong visual image we can move between genres more easily, and our sound will change from record to record.
One fun thing: since Mercury sings too good we had to use another band member to do the main vocals on “Nightmare Hotel”, in order to get the right approach.

LFdM: You are used to combine fetish and sensual images with mechanical and futuristics  elements, creating an atmosphere of sensuality disguised by a cold and impersonal attitude. What's the reason behind this choice?
Priest: Well, when I was a human child I dreamt of replacing body parts with bionic ones, as a teenager I dreamt of having sex with glowing robots in the dark.. I still have human parts in me but my goal is to go all artificial. It´s a fetish for sure, maybe even a religion? The masks and costumes is just an exaggeration I think.

LFdM: Did you keep any songs in your pocket, just because they were too different? Will you twist them in the future according to your natural evolution or will you preserve them just like they are, maybe in order to stay true to your roots?
Priest: Oh yes. There´s enough material in the drawer to cover an entire human career-span, but since we are not, new melodies and songs are generated on almost daily basis. If you write a lot, something´s gonna turn out good, right?

LFdM: Is there any New Flesh's song whose lyrics mean a lot to you, according to your thoughts/believes and maybe your personal life? Do you always succeed to express the feelings you want? Do you believe that maybe a fictional concept might work even better, in order to reach the hearts and the minds of your potential fans?
Priest: Yes, I try to remember how it was to be human, and different hardships that came with it. I take those feelings and try to write something that can be understood by many without give away too much. I like when you find your own meaning.
We have high expectations on ourselves and we like being perfectionists, so if something’s coming out from the grinder we´re pretty confident that it´s good and that many people will like it.

LFdM: Talking about the stylistic side, can we say that Priest are walking a totally new path through this album? I mean, in terms of rhythmic dynamics (sometimes so close to EBM) and, above all, a twisted kind of “erotic catchiness”.
Priest: Well, it´s a blend of different electronic genres for sure.. And it´s consciously made to sound retro. We used a lot of hardware synths from the 70´s and 80´s for example, even a Stylophone from the 60´s, but also a lot of new technology in terms of mixing and mastering (Thx Niklas and Magnus for a great job!). When you combine many styles from the past and integrate it with new thought patterns, maybe something new happens?

LFdM: Do you care more about keeping your artistic peculiarities as a band, or maybe exploring your expressive urgency as single musicians? Is there any borderline between your personality as artists and your attitude as people?
Priest: Priest is a band with a pretty clear path and image, but the opportunities of what you can do are still endless. If a member wanting for individuality happens to be too off grid, maybe a side project would be more suitable. Since I´m planning to have the same puppets in the band for a very long time, I´ve programmed them to be nice and open to each other.

LFdM: The new album will be produced by Simon Söderberg with the help of Mauro Rubino (both of them ex-Ghost). Do you think the success around Ghost will play an important role over the perception and expectations of your audience?
Priest: Simon (Alpha) is a fantastic producer, very open minded and always comes to the studio with new ideas and great energy. Mauro (Airghoul) was the first choice to play a synth solo on the album since he is one of the greatest keyboardists in our country. …and yes, it was a conscious, mutual decision to trampoline the band with the ghost connection.

LFdM: As we discussed before, back in the mid-eighties synth pop/rock reached it's artistic peak, contaminating every kind of music, even heavy metal. In your opinion, what's the health status of this genre nowadays? Do you believe it will have a future only mixing together with other genres?
Priest: We love synthpop, EBM and industrial but it faded in the mid-90´s and is now only, more or less, enjoyed by smaller groups of enthusiasts. This is absolutely fine but we want to reach more people with our gospel. I think Rammstein have already reached the point of perfection with the rock/synth-blend, and maybe NIN, Manson in the 90´s as well.. Synths, cyberpunk and techno is the coolest things there is according to us. We´re on a different path.

LFdM: Will you ever play live? How would you imagine the stage scenography, maybe a futuristic and/or minimal one? Will you let any session musician help you? Will you keep your fascinating and bizarre outfit?
Priest: Yes! We start out minimal but the ideas are grandiose. We want to integrate more lazers, visuals, special effects and fashion designers in the future. Maybe even some ghoulish guest appearances..
ciao

LFdM: ciao

New Flesh REVIEW